Brand & product design — Oslo / Berlin

We design the parts people actually touch.

A two-person studio working with founders on identity, product interfaces, and the systems that keep them consistent as the team grows.

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Identity

Naming, wordmarks, and the rules that keep a brand recognisable at 16 pixels and on a billboard.

Product interface

Onboarding, dashboards, and the flows that decide whether someone stays past the first session.

Design systems

Tokens, components, and documentation your engineers will actually keep using after we leave.

They rebuilt our onboarding in six weeks. Activation went up 34% and support tickets halved.

Mira Halvorsen — CEO, Tally

Two slots open for Q1.

Tell us what you are building and where it is stuck.

[email protected]

What the Neomorphism style is doing

Elements are the same colour as the background and are shaped only by two shadows: a light one from the top left, a dark one from the bottom right. Reversing that pair, or using inset, presses an element into the surface. The craft is in the shadow values being derived from the background hue rather than being pure white and pure grey, which is what stops the effect looking like a 2010s button.

Light and dark shadows are paired and always opposed

Pressed elements reverse the pair or use inset

The surface and the elements share one colour

Stylesheet

91 lines · 32 rules

Typeface

system fonts only

Built with

paired light/dark shadows · inset states

Where it breaks: Contrast is the known cost: labels on a pressed surface routinely fall under 3:1, which fails accessibility and looks washed out on cheap screens.