Brand & product design — Oslo / Berlin

We design the parts people actually touch.

A two-person studio working with founders on identity, product interfaces, and the systems that keep them consistent as the team grows.

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Identity

Naming, wordmarks, and the rules that keep a brand recognisable at 16 pixels and on a billboard.

Product interface

Onboarding, dashboards, and the flows that decide whether someone stays past the first session.

Design systems

Tokens, components, and documentation your engineers will actually keep using after we leave.

They rebuilt our onboarding in six weeks. Activation went up 34% and support tickets halved.

Mira Halvorsen — CEO, Tally

Two slots open for Q1.

Tell us what you are building and where it is stuck.

[email protected]

What the Abstract / Geometric Shapes style is doing

The composition is the layout: a large circle and a square establish the page's weight before any text is read, and the type is positioned against them rather than centred in the viewport. Fills are pastel at low opacity so overlaps create a third colour without a third value being declared. One heavy grotesque anchors the whole thing, because geometric shapes plus a light typeface reads as an empty template.

Shapes set the composition before the type does

Overlapping translucent fills create new colours by blending

One heavy grotesque against large soft shapes

Stylesheet

125 lines · 42 rules

Typeface

one webfont

Built with

shapes as layout · translucent overlaps

Where it breaks: The shapes occupy real space, so on a narrow screen they either crowd the text or get pushed off-canvas entirely.